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“Too Far Gone” By Betty Fox Band Is Powerful

Betty Fox is a staple in the Central Florida area, always bringing hearty performances to the venues and festivals she plays. She always brings it, and lets her music do the talking. Her love and respect for the gospel and soul she grew up on is evident every time she is on stage. She will move you. Too Far Gone by The Betty Fox Band showcases her talents, and the stellar band as well. Personnel on this album are Betty Fox – vocals, Josh Nelms – guitars, Matt Walker – bass, Aaron Fowler – drums, and Mark Cunningham on keyboards. Production values are good, the mix is spot on, and the overall sound is full. This album is chock full of pleasant surprises! From start to finish, it is a delicious mix of blues and soul. Standout cuts include “Down,” with it’s slow, smokey blues feel, and Beth Hart like vocal; just a sexy song all around. “Goodbye” has a slight Rhumba feel with another great vocal from Fox. “No Other Man” is delightfully slow, with a vague swing feel, and subtle blues riff. Another superior blues flavored cut is “Maybe Next Lifetime,” with it’s sparse atmospherics, and superb, understated playing from the band. “Story Not To Tell” is a funky blues, with a light Hendrix edge to it, and it is very effective. “Satisfied” is a Texas flavored blues reminiscent of the Fabulous Thunderbirds. Fox’s singing is a cross between Beth Hart and Etta James, with a touch of Marion James thrown in. The band is impressive throughout. Their playing is solid and understated, but you never get the feeling they are laying back. This album is a fine mix of Texas soul, North Side soul, gospel, and blues that all come together brilliantly. Take this for a spin soon.

                                                                                                                                        - Barry Kerzner

​Voted "Best of the Bay" as Tampa/ St. Petersburg's "Best Local Blues Act" for two years running, and 1st runner up for "Best Local Soul/ R&B Act"
                                 - Best of the Bay, Reader's Poll

It is a typically quiet day at Rocky Creek Retirement Village until the pink and green walls start to resonate with the voice of Betty Lou Fox. Her vintage vocals and unique soul are trademarked through her lyrics and the name of the quickly rising Betty Fox Band.
The Betty Fox Band consists of four major pieces: the voice of Betty Fox, the exceptional guitar skills of Josh Nelms, the rhythmic bass of Matt Walker and the beating drums of Aaron Fowler. Together, they create a blues and funk-infused soul band. Here, in this quiet retirement village, I got the chance to get some insight on the band that is creating such a different genre of music. It is here that Betty Fox comes to visit and sing for the residents--among them one of her relatives.
Much of Betty Fox's vocal upbringing was rooted in religious music. Her mother, along with other family members, would sing every Sunday at church. "It sort of resonated with me, all of the old school gospel, because that is what we would sing and it is still my favorite stuff to sing," says Fox.
It is this love of gospel music that got her digging into it’s roots. She began to attend blues jams and learned more about soul music and its legends; she says it was there that her love sparked for it. This love is what led to many of the cover songs that are featured on their new album Too Far Gone.
Complimenting the cover songs are the self-written works by Betty Fox with the help of guitarist Josh Nelms. "With Josh, he can see what I'm trying to do and he understands it completely already. He adds a musical flavor to it that completely compliments the lyrics and where I am trying to go with the songs. Her favorite song from the album, "Goodbye," is written about her grandmother and the emotions Fox encountered while grieving her loss. Fox says her songs draw on life experiences.
"All of my songs are very honest. Some of them are more fun, like ‘Take Your Time’ is a dance tune–it's more about the groove than anything else… I take creative liberties, but it’s 100% derived from my own experience with life."
The Betty Fox Band has a different flavor than what is on the current music scene. Josh Nelms says authenticity has much to do with it. "I would say whatever style that we are going for within a song, it is authenticity, if we're trying to go for a certain style we're trying to make sure it's not homogenized; we try and keep it rooted in the sound that we are going for."
Right now you can experience The Betty Fox Band as they play locally around the Tampa area, with upcoming gigs at Ring Side Cafe, World of Beer and Ruby's Elixir in St. Petersburg. Their soulful sound will be lighting up blues festivals and local venues for the rest of the year. Fox says she thinks the band will stay in Florida for a while since there is so much to be had in this state.
Whether the band is performing blues covers or creating its own work, soul is the core of their inspiration, style and sound. Their motto is "Soul is what it's all about." Fox believes, "Soul, I feel, it really goes back to the church experience, it's not just a note, it's an emotion. They're not just words, they are cries. I don't really know how else to explain it…it's like a prayer, the music is like a prayer."

"It is painful to admit, even to myself, that I can only be in one place at a time. It is a blessing and a curse. I can only get so tired. I can only travel so far. The result is tough choices have to be made. Sometimes I disappoint people I shouldn't. Other times I show up at places I should have avoided. Saturday night was a night of too many choices and only one me. Good JAZZ and BLUES artists allover the Southland. Where to go? Who to see? Decisions---decisions---decisions---The Betty Fox Band was at Arts Garage. I had never seen or heard them. They hail from Tampa and make few appearances on the East coast. Opportunity knocks!!!

Betty Fox is out front and singing. The band has Josh Nelms on guitar, Matt Walker on bass and Sam Farmer at drums. No vocalist could ask for better. Ms. Fox came to sing the BLUES and she did. From New Orleans to Austin. From Chicago all the way back to  Cajun Country. This gal has a set of "pipes" and a personality to match. Adding to those talents she composes and writes the lyrics,  collaborating with Josh,  to a lot of the bands material. Just listening to the opening notes of "I'd Rather Drink Muddy Water" convinced me that I had made a good choice. Betty is bubbly and animated. She adds visual entertainment to the audible. During her performance they played compositions Betty had written for her boyfriend of 5 years, her grandmother and her Dad. Each reflected her deep feelings for them. She mentioned that she loves Howlin' Wolf and did a couple of his songs. She recently celebrated her ??th birthday. She is almost below the age of legal consent. 

Like many BLUES and JAZZ vocalists Betty started singing in church when she was little. She says that she always knew she wanted to sing in a band. Old Time BLUES singers like Bessie Smith were her early inspiration. Her favorite lyric line is "You don't know what love is until you learn the meaning of the BLUES". She did Etta's "Blind Girl" and Patsy Kline’s "Walking" but it was all Betty Fox and all the BLUES.

While Betty was singing "No Other Man", a love song written for her "man" , Sam the drummer man, got all sleepy eyed and dreamy. BLUES lyrics can do that to a guy. Even tough guys. On the other hand Matt Walker dances with his face. Smiling, frowning, grimacing, making lips. All the while strumming out a strong bass line. The only thing I can say about Josh Nelms is one word. Brilliant. Knocked-out, dragged down BLUES. Jump tunes, 2d line rhythms none of it makes a difference. Brilliant solos to each.
If you listen closely you hear a little bit of a JAZZ singer in Betty's lyrical mannerisms. Every once in a while there will be a bar or two or three of "scat". Her use of facial expressions, eyes and mouth add to the dramatics of every song. 

As the evening continued I became aware of a familiarity with her style. Old memories haunted me. Note by note it started to come back. ----Janis Joplin----that was it. The timing, the phrasing. Betty must have listened to hundreds of hours of Janis Joplin. When I asked her about it, she seemed puzzled. "Why?" she asked. I told her about what I felt. She replied that she had seldom listened to Janis, but was flattered by my comment. I think Janis would be pleased as well. Charlie Boyer in his comments about her said "This little gal has soul". He's right.

My apologies to all the other guys and gals who I didn't see last night but I can only be in------------"

                                                  -Al  Kanovsky

“For the past year there’s been a female vocalist who seemingly came out of nowhere and has become really one of the most acclaimed singers in the Tampa Bay area… Betty Fox”
                      – Randy Wynne, WMNF 88.5 Program Director

CD Review

By Tom Carter

President of the Suncoast Blues Society

"Anyone who slipped Too Far Gone into a player without having seen Betty Fox would never believe the voice flowing out of their speakers belongs to a lady as young as Betty. Her polished style and vocal maturity belie Betty’s tender age. Ms. Fox stunned the crowd at Dunedin Wines the Blues and many there rushed to snap up her CD. When “Take Your Time” opened the disc with Betty’s moaning and purring vocals they most likely got goose bumps. I do. The musical style is a preview of the entire album as the song meanders from funky to jazzy with a strong dose of R&B. “You’re Losing Me”, one of only two covers, offers more funkiness in a faster tempo while the slow, jazzy lines and Fox’s soaring delivery of “Down” are downright hypnotizing.
There must be something in the Tampa Bay area water which accounts for so many talented guitarists in the area and Josh Nelms ranks among the most phenomenal. He’s no shredder but rather allows the notes to float out of his six-string with fluidity and superb phrasing. “Dirty Soul” is a prime example. On that slow burner Betty dirties up her voice by singing through a harp microphone for an interesting effect. “Maybe Next Lifetime”, an emotion-filled ballad showcasing the writing prowess of Fox, gives Nelms another chance to shine. 
Betty brings in a couple of guest artists in the form of veteran Tampa Bay harp master T.C. Carr for “Goodbye” and 2012 IBC finalist Selwyn Birchwood who adds his tasty guitar work to “No Other Man.” But Ms. Fox saved the best for last with the title track. “Too Far Gone” is a slower classic Blues piece where Betty stretches out and Nelms lights up the strings while bass man Matt Walker and drummer Aaron Fowler lay down a taut rhythm. This album deserves Best New Artist Debut recognition. It is seriously that good! "
                    -Tom Carter, Suncoast Blues Society President

"Soulful and Fun

The Betty Fox Band from the Tampa Bay, Florida, area has certainly grabbed ahold of my attention. Too Far Gone, their introductory album, has an instant likeability to it, with a solidly sexy finish from beginning to end. Songstress Betty Fox fronts this well-oiled band featuring Josh Nelms on guitar, Matt Walker on bass, drummer Aaron Fowler, and keyboardist Mark Cunningham. The initial attraction is most certainly Fox’s lovely voice, which can go from soulful to sassy in the wink of an eye. Then it sinks in that it takes well-written songs and a great backing band to bring out the great vocals. This is where Betty Fox stock prices rise even further. Penning all but two of the songs on the album, and putting the band together as well, proves just that she is the complete package.

As Fox enters into the funky opening track, “Take Your Time,” she tosses out a few neat little jazzy vocables, like little hand grenades clearing the way for the bombshell of a song that follows. Then, to smooth out the adrenalin, they slow it way down with “Dirty Soul,” which instantly brought to mind West Side Story’s “Cool” with its finger-snapping introduction. The remainder is soaked in the influential spirit of Howlin’ Wolf.

Like a bluesy Christina Aguilera, Fox takes us on a delightful vocal journey with some very interesting runs on the title track, “Too Far Gone.” Some mighty fierce singing breaks out on top of Nelms’ catchy slow-cooked groove. Speaking of Nelms, I really like the way he approaches the song “Maybe Next Lifetime,” with a Mark Knopfler kind of style.

Too Far Gone is soulful and fun. I enjoyed this album very much and expect to hear more from this band in the future."

                    -Phillip Smith is a contributing writer at BluesWax.

"Though her good looks and her subtle, sultry stage presence are reminiscent of someone like Natasha Bedingfield, Fox possesses an older, wiser voice, replete with the hills and valleys grown in slat shanties tucked into backwoods or grimy back alleys where hard souls are forged in poverty and solitude. She reports that her pipes were forged in the churches of South Tampa, an area replete with its own blues history. In fact, there were moments in Fox’s brief Heatwave stint when it seemed she channeled the likes of Tampa Red, or his some time partner, Ma Rainey.
And it’s imperative for all of St. Pete’s serious blues fans to get to one of these gigs, as Fox’s next review will likely glow exponentially brighter."
                  -Don O'Cull,  St. Petersburg Live Music Examiner 

"Not many young singers could do justice to the late Etta James. But Tampa’s Betty Fox was asked to do just that when she performed during a tribute to the soul-blues icon at Skipper’s Smokehouse in March. (Her heart-ripping read of "I'd Rather Go Blind” explains why.) Like many of her predecessors, Fox sang in church before getting bit by the blues. Her songbook includes Muddy Waters’ “Champagne and Reefer” and Howlin’ Wolf’s “Built for Comfort,” as well as soul gems by Sam Cooke and Bill Withers. Helmed by exceptional guitarist Josh Nelms, Fox’s Dirty Bastards are among the workin’est groups in the region. The singer also pens plenty of her own tunes, which can be heard on her new release..."
                                       - Bob Weinberg, Contributing Editor

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